Horror • Video Interview • DOLLY

Rod Blackhurst, Fabianne Therese & Max The Impaler Break Down DOLLY and Its Psychological Horror

The new horror film DOLLY isn’t just another slasher — it’s a raw, grindhouse-inspired indie project built from the ground up by filmmakers determined to plant their flag in the horror world.

On press day, I sat down with director Rod Blackhurst, along with stars Fabianne Therese (Macy) and Max The Impaler (Dolly), to talk about creating original IP, building a psychologically layered villain, and why they want audiences leaving theaters feeling confused… and wanting more.

Rod Blackhurst on Betting on Himself

For Rod Blackhurst, DOLLY wasn’t just a film — it was a statement after years of near-misses and industry roadblocks.

“I’ve never had institutional support. I’ve always had to make movies on my own… I went back to the drawing board and planted that flag firmly in the sand.”

Rather than waiting for a studio to give him permission, Blackhurst focused on building original IP — something that could grow into a franchise.

“If Dolly is a complicated, intelligent, nuanced antagonist… that’s something I can carry forward forever.”

The Retro Grindhouse Feel

Shot on film, DOLLY carries a gritty texture reminiscent of late ‘80s and early ‘90s horror classics.

“We had no money, no time. Film handles daylight really well. At first it was practical — but the look just kind of happened.”

Fabianne Therese on Macy’s Emotional Ordeal

Fabianne Therese knew from the start she had to go all in emotionally and physically.

“The script demanded everything. I had to jump in with both feet.”

One particular scene proved especially vulnerable, filled with hope — and then heartbreak.

“The whole set was emotional. It felt incredibly vulnerable.”

Max The Impaler’s Transformation

Making their feature debut, Max The Impaler wanted Dolly to feel layered — not just a typical monster.

“I didn’t want Dolly to be just a hack-and-slash villain. I wanted more depth.”

Their physical performance became central to the film’s intensity.

What They Hope Audiences Feel

“I want people to leave feeling confused… Do I feel bad? Do I feel angry? Do I feel scared?”

“More than anything, I want people to leave wanting more.”

“I hope they just go, ‘Holy sh*t, this movie’s insane. I’ve got to tell a friend.’”